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Toenailing or skew-nailing is a viable, structurally sound method [1] of the driving of a nail at a roughly 30° [2] angle to fasten two pieces of wood together, typically with their grains perpendicular. The term comes colloquially from fastening wood at the bottom, or toe, of the board.
Aronson, Joseph. The Encyclopedia of Furniture. 3rd edition.New York: Crown Publishers Inc., 1965. Bedel, Jean. Le grand guide des styles.Paris: Hachette, 1996. Boyce ...
The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods.
Panels are made slightly smaller than the available space within the frame to provide room for movement. Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door.
Historically, the style choice was dependent on the woodworker's training or dictated by the region. Currently, with woodworking being so popular as a hobby, workbench choice is often dependent on the type of work being done or the preferred method of working. All styles aim to keep the workpieces immobile while work is being performed.
Great attention is paid to the details of the wood in the furniture-making process. Each piece of wood is hand-selected to match the specific furniture in mind. Attention is paid to the grain of the wood, both in gluing pieces together and in achieving the desired look of the finished piece. Amish furniture is also valued for its sustainability ...
Shaker furniture is a distinctive style of furniture developed by the United Society of Believers in Christ's Second Appearing, commonly known as Shakers, a religious sect that had guiding principles of simplicity, utility and honesty. Their beliefs were reflected in the well-made furniture of minimalist designs. [1]
In the later period of the Elizabethan, the Italians themselves may have supplied artists and workmen for the furniture, but they must have worked hampered by the tastes and prejudices existing around them. A certain rudeness of carving prevails throughout the earlier part of the style, and is considered to give breadth of effect.