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Toenailing or skew-nailing is a viable, structurally sound method [1] of the driving of a nail at a roughly 30° [2] angle to fasten two pieces of wood together, typically with their grains perpendicular. The term comes colloquially from fastening wood at the bottom, or toe, of the board.
Panels are made slightly smaller than the available space within the frame to provide room for movement. Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door.
If the template has a separate documentation page (usually called "Template:template name/doc"), add [[Category:Furniture templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Furniture templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code ...
Template documentation The purpose of this template is to show conversion of some common angles in one place, in order to minimize maintenance and storage space. Editors can experiment in this template's sandbox ( create | mirror ) and testcases ( create ) pages.
Great attention is paid to the details of the wood in the furniture-making process. Each piece of wood is hand-selected to match the specific furniture in mind. Attention is paid to the grain of the wood, both in gluing pieces together and in achieving the desired look of the finished piece. Amish furniture is also valued for its sustainability ...
The design movement had an extremely positive impact on the craftsmanship and quality of British furniture. [7] The William and Mary style was a transitional style between Mannerist and Queen Anne furniture. [4] The William and Mary style was very popular in Britain from 1700 to 1725, [1] and in America until about 1735. [3]
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The furniture of the Louis XV period (1715–1774) is characterized by curved forms, lightness, comfort and asymmetry; it replaced the more formal, boxlike and massive furniture of the Louis XIV style. It employed marquetry, using inlays of exotic woods of different colors, as well as ivory and mother of pearl. The style had three distinct periods.