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Harry Aveling (born 1942 in Sydney) is an Australian scholar, translator and teacher. He specialises in Indonesian and Malaysian literature, and Translation Studies. [1] [2] He received the degrees of Doctor of Philosophy in Malay Studies from the National University of Singapore and Doctor of Creative Arts (DCA) from the University of Technology, Sydney.
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Javanese and other cultures in overlap with the neighbouring Indonesian archipelago, Arabic, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau ...
Saron Baron - used in classical Malay music of Malay Gamelan. Saron Demung - used in classical Malay music of Malay Gamelan. Tabla - used in classical Malay music of Malay Ghazal. Tamborin - used in classical Malay music of Malay Ghazal and traditional performances such as Hamdolok. Togunggak - used in traditional performances in Sabah.
The Malay Gamelan (Malay/Indonesian: gamelan Melayu; Jawi: ݢاميلن ملايو ) is a style of music originated from Indonesia, performed in ethnic Malay-populated regions of Indonesia (particularly in North Sumatra, Riau and Riau Islands) and Malaysia (particularly in Pahang, Terengganu and Johor) as well.
Ulek mayang (Jawi: اولق مايڠ ) is a classical Malay dance from the state of Terengganu in Malaysia. [1] It is a ritualistic dance performed to appease or invoke the spirits of the sea and is always accompanied by a unique song also called Ulek Mayang. An orchestra comprising drums, gong, violin and accordion accompanies the dance.
It was a centre of Malay popular culture where Malay stars such as P. Ramlee were based, but after Singapore independence in 1965, the Malay music industry began to shift to Kuala Lumpur. [3] In the 1960s, local bands in Singapore were inspired by Western groups such as Blue Diamonds, Cliff Richard & the Shadows, and The Beatles.
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The gambus (lutes) of the Malay world: its origins and significance in zapin Music, Larry Hilarian, Nanyang Technological University, Singapore, 6 July 2004 Charles Capwell, Contemporary Manifestations of Yemeni-Derived Song and Dance in Indonesia , Yearbook for Traditional Music , Vol. 27, (1995), pp. 76–89