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A split-complementary (also called compound harmony) color scheme comprises three colors, namely a base color and two colors that are 150 degrees and 210 degrees apart from the base color. The split-complementary color scheme has the same sharp visual contrast as the complementary color scheme but has less pressure. [further explanation needed]
Complementary colors are pairs of colors which, when combined or mixed, cancel each other out (lose chroma) by producing a grayscale color like white or black. [1] [better source needed] When placed next to each other, they create the strongest contrast for those two colors. Complementary colors may also be called "opposite colors".
Color schemes can also contain different shades of a single color; for example, a color scheme that mixes different shades of green, ranging from very light (almost white) to very dark. Complementary colors are two colors directly across from each other; for example, red and green are complementary colors. Tetradic color palettes use four ...
For each unique palette, an image color test chart and sample image (truecolor original follows) rendered with that palette (without dithering) are given. The test chart shows the full 256 levels of the red, green, and blue (RGB) primary colors and cyan, magenta, and yellow complementary colors, along with a full 256-level grayscale.
For each unique palette, an image color test chart and sample image (truecolor original follows) rendered with that palette (without dithering) are given. The test chart shows the full 8-bit, 256 levels of the red, green, and blue primary colors and cyan, magenta, and yellow complementary colors, along with a full 8-bit, 256 levels grayscale.
One shortcoming of the web-safe palette is its small range of light colors for webpage backgrounds, whereas the intensities at the low end of the range, such as the two darkest, are similar to each other, making them hard to distinguish. Values flanked by "*" (asterisk) are part of the "really safe palette;" see Safest web colors, below.
It is composed of a root color and two or more nearby colors. It forms the basis for a color scheme, and in practice many color schemes are a combination of analogous and complementary harmonies in order to achieve both visual interest through variety, chromatic stability, and tension through contrast.
2-, 4-, 8-, 16- and 32-color standard graphic modes, EHB 64-color and HAM 4096-color enhanced modes; 2 to 64 color modes pick from a 4096-color master palette (4 bits for each of red, green, and blue), with 64 color mode constructed from 32 normally chosen colors plus a second set of 32 fixed at half the intensity of the first.