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Music performed a cappella (/ ˌ ɑː k ə ˈ p ɛ l ə / AH kə-PEL-ə, UK also / ˌ æ k ə ˈ p ɛ l ə / AK ə-PEL-ə, Italian: [a kkapˈpɛlla]; [1] lit. ' in the style of the chapel '), less commonly spelled a capella in English, [2] is music performed by a singer or a singing group without instrumental accompaniment.
The Sixteen (Harry Christophers): mostly a cappella music of the Renaissance, with baroque orchestra for Handel; Solistes de Musique Ancienne: baroque orchestra and choir; Sounds Baroque (Julian Perkins): period instrument ensemble; Stile Antico: early music vocal ensemble; Tallis Scholars (Peter Phillips): a cappella Renaissance music
One of the most pronounced features of early Renaissance European art music was the increasing reliance on the interval of the third and its inversion, the sixth (in the Middle Ages, thirds and sixths had been considered dissonances, and only perfect intervals were treated as consonances: the perfect fourth the perfect fifth, the octave, and the unison).
Robert Carver CRSA (also Carvor, Arnot; [1] c. 1485 – c. 1570) was a Scottish Canon regular and composer of Christian sacred music during the Renaissance. Carver is regarded as Scotland's greatest composer of the 16th century. He is best known for his polyphonic choral music, of which there are five surviving masses and two surviving motets.
The Sistine Chapel Choir, as it is generally called in English, or officially the Coro della Cappella Musicale Pontificia Sistina in Italian, is the Pope's personal choir. It performs at papal functions in the Sistine Chapel and in any other church in Rome where the Pope is officiating, including St. Peter's Basilica .
In music history, the Venetian School was the body and work of composers working in Venice from about 1550 to around 1610, many working in the Venetian polychoral style.The Venetian polychoral compositions of the late sixteenth century were among the most famous musical works in Europe, and their influence on musical practice in other countries was enormous.
He directed the Music Supervisors Chorus of five hundred voices at their national convention in 1920, and the Northwestern University Choir sang for the Music Supervisors Convention in Chicago in 1928. In most of these appearances, he focused on the merits of unaccompanied singing and a cappella choral repertoire.
The Venetian polychoral style was a type of music of the late Renaissance and early Baroque eras which involved spatially separate choirs singing in alternation. It represented a major stylistic shift from the prevailing polyphonic writing of the middle Renaissance, and was one of the major stylistic developments which led directly to the ...