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  2. Twelve-bar blues - Wikipedia

    en.wikipedia.org/wiki/Twelve-bar_blues

    Dominant 7th chords are generally used throughout a blues progression. The addition of dominant 7th chords as well as the inclusion of other types of 7th chords (i.e. minor and diminished 7ths) are often used just before a change, and more changes can be added. A more complicated example might look like this, where "7" indicates a seventh chord:

  3. Bird changes - Wikipedia

    en.wikipedia.org/wiki/Bird_changes

    The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".

  4. Tablature - Wikipedia

    en.wikipedia.org/wiki/Tablature

    Guitar tablature is used for acoustic and electric guitar (typically with 6 strings). A modified guitar tablature with four strings is used for bass guitar. Guitar and bass tab is used in pop, rock, folk, and country music lead sheets, fake books, and songbooks, and it also appears in instructional books and websites.

  5. Blues scale - Wikipedia

    en.wikipedia.org/wiki/Blues_scale

    At its most basic, a single version of this blues scale is commonly used over all changes (or chords) in a twelve-bar blues progression. [7] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord. [2] Greenblatt defines two blues scales, the major and the minor.

  6. Blues - Wikipedia

    en.wikipedia.org/wiki/Blues

    Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.

  7. Madison Blues - Wikipedia

    en.wikipedia.org/wiki/Madison_Blues

    I've got the Madison blues, now put on your Madison blue shoes [2] Music writer Don Snowden describes the session as "showcas[ing] his mature style—the trademark bottleneck guitar licks and raw-edged, gritty vocals complemented by J. T. Brown's braying sax solos, tinkling piano by Johnnie Jones and Odie Payne's tough, propulsive drumming."