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The Lion of Saint Mark, representing Mark the Evangelist, pictured in the form of a winged lion, is an aspect of the Tetramorph. On the pinnacle of St Mark's Cathedral he is depicted as holding a Bible , and surmounting a golden lion which is the symbol of the city of Venice and formerly of the Venetian Republic .
In Christian tradition, Mark the Evangelist is symbolized by a winged lion. [55] Mark the Evangelist attributes are the lion in the desert; he can be depicted as a bishop on a throne decorated with lions; as a man helping Venetian sailors. He is often depicted holding a book with pax tibi Marce written on it or holding a palm and book. Other ...
Mark the Evangelist, the author of the second gospel account, is symbolized by a winged lion—a figure of courage and monarchy. The lion also represents Jesus's resurrection (because lions were believed to sleep with open eyes, a comparison with Christ in the tomb ), and Christ as king .
The Patriarchal Cathedral Basilica of Saint Mark (Italian: Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica (Italian: Basilica di San Marco; Venetian: Baxéłega de San Marco), is the cathedral church of the Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello.
The interpretation of each creature has varied through church history. The most common interpretation, first laid out by Victorinus and adopted by Jerome, St Gregory, and the Book of Kells, is that the man is Matthew, the lion Mark, the ox Luke, and the eagle John. The creatures of the tetramorph, just like the four gospels of the Evangelists ...
When he became Patriarch of Venice in 1893, he added the chief of Venice (the Lion of St. Mark), changing the field from gules (red) to argent (white) to make the heraldic point that this was the "religious emblem of St. Mark's Lion and not the insignia [of the former Republic of Venice]". When he was elected pope in 1903, heraldists expected ...
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Winged lions are depicted in arms as both passant and, more commonly, sejant, and also appear as supporters. This figure is commonly referred to as the Lion of Saint Mark, although Arthur Fox-Davies defined as a Lion of Saint Mark one present in a specifically religious context and depicted with a halo. [22]