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The Doulton wares went further back to earlier salt-glazed styles, with a varied glaze finish. This "gave stoneware an entirely new impetus, realizing the potential of the material". [8] As the company became interested in diversifying from its utilitarian wares into more decorative objects, it developed a number of earthenware and stoneware ...
He began work at the Doulton factory making cases for water filters, but soon moved on to making the new range of salt-glazed stoneware that became known simply as "Doulton Ware". About thirty examples of his work were shown at the 1867 Paris Exhibition . [ 4 ]
Sir Henry Doulton (25 July 1820 – 18 November 1897) was an English businessman, inventor and manufacturer of pottery, [1] instrumental in developing the ceramics company of Royal Doulton. Life [ edit ]
Stoneware jug celebrating the Eglinton Tournament of 1839. From 1808 porcelain, that is to say bone china, was produced, in a great profusion of patterns, for which many of the pattern books survive. The styles are typical for the period, with many flowers, landscapes, and some modified Neoclassical and Chinese (or "Anglo-oriental") treatments.
Noke's early career at Doulton was spent modelling and decorating pieces to be displayed at exhibitions around the world, most notably the Chicago World Fair in 1893. It was Noke's ambition to rival the other major pottery manufacturers of the day and Doulton mounted an extensive display of large, ornate and highly decorated vases and plates. [2]
Mary K. Grant, prior to her marriage to Frederic, was the art director at R. H. Macy Co. in New York City. [1] The company agreed to have Mary Grant style the pottery lines of tableware and art ware; however at this time she would not hold an official position. The tableware and art ware lines were produced in solid color glazes.
This is a list of list of Royal Doulton figurines in ascending order by HN number. HN is named after Harry Nixon (1886–1955), head of the Royal Doulton painting department who joined Doulton in 1900. [ 1 ]
In the 1870s, he was the director of the "Lambeth faience", that is, "art" stoneware, department at Doulton & Co. in London. [3] Around 1876, he immigrated to America and started his own ceramic business in New York City. [3] His work soon became sought-after for its high quality and painterly style. [4]