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Music: English Folk Song Text: David Warner Arrangement: Mack Wilberg 2:31; Be Still, My Soul Music: Jean Sibelius Text: Katharina von Schlegel (trans. Jane Borthwick) Arrangement: Mack Wilberg 4:52; Peace Like a River Music: African-American Spiritual Arrangement: Mack Wilberg 4:31; All Things Bright and Beautiful Music: John Rutter Text: Mrs ...
Additionally, Jackson argued that Negro spirituals took their origin from poor whites who sang old folk songs from England. [3] During the 1940s, he studied the roots of anabaptist music (Amish and Mennonite). He proposed the now generally accepted view that the original tunes used in Der Ausbund hymnal were popular medieval melodies. [4]
Download QR code; Print/export Download as PDF; Printable version; ... Pages in category "African-American spiritual songs" The following 53 pages are in this ...
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Early blues songs, such as "Bad-luck Blues" (1927) and "Cool Drink of Water" (1928), used a similar structure to that of "Roll, Jordan, Roll". [10] "Roll, Jordan, Roll", meanwhile, became a standard of the Fisk Jubilee Singers and has remained a staple of gospel music. [2] Bing Crosby included the song in a medley on his album 101 Gang Songs ...
Swing Low, Sweet Chariot" is an African-American spiritual song and one of the best-known Christian hymns. Originating in early African-American musical traditions, the song was probably composed in the late 1860s by Wallace Willis and his daughter Minerva Willis , both Choctaw freedmen .
The recording is featured with many other spirituals in the "Power and the Glory" collection. [9] Jo Stafford features the song on her influential 1950 album American Folk Songs. Emmylou Harris covered the song on her 1980 album Roses in the Snow. Harris' version peaked at number 7 on the Billboard Hot Country Singles chart. [10]
This generated two distinctive African American slave musical forms, the spiritual (sung music usually telling a story) and the field holler (sung or chanted music usually involving repetition of the leader's line). [1] We Are Climbing Jacob's Ladder is a spiritual. [1] As a folk song originating in a repressed culture, the song's origins are lost.