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Henrik Johan Ibsen (/ ˈ ɪ b s ən /; [1] Norwegian: [ˈhɛ̀nrɪk ˈɪ̀psn̩]; 20 March 1828 – 23 May 1906) was a Norwegian playwright and theatre director.Ibsen is considered the world's pre-eminent dramatist of the 19th century and is often referred to as "the father of modern drama."
Brand is a play by the Norwegian playwright Henrik Ibsen. It is a verse tragedy, written in 1865 and first performed in Stockholm, Sweden on 24 March 1867. Brand is a priest who accepts the consequence of his choices, and is deeply bound to doing the "right thing". He believes primarily in the will of man, and lives by the belief "all or nothing".
The Master Builder was the first work Ibsen wrote upon his return to Norway in July 1891 after many years spent elsewhere in Europe. It is usually grouped with Ibsen's other works written during this late period of Ibsen's life such as Little Eyolf, John Gabriel Borkman, When We Dead Awaken, and Hedda Gabler. Early reactions to the play by ...
Hedda Gabler (Norwegian pronunciation: [ˈhɛ̂dːɑ ˈɡɑ̀ːblər]) is a play written by Norwegian playwright Henrik Ibsen. The world premiere was staged on 31 January 1891 at the Residenztheater in Munich. Ibsen himself was in attendance, although he remained back-stage. [1]
Jonas Lie (1833–1908) novelist, poet, and playwright focusing largely on the folk life and social spirit of the nation of Norway. [4] Alexander Kielland (1849–1906) novelist, short story writer, playwright, essayist most known for his satirical writings and short stories. Other writers have been suggested, notably Amalie Skram. [5]
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During this time, Ibsen told Vilhelm Bergsøe that "I don't think the play's for acting" when they discussed the possibility of staging the play's image of a casting-ladle "big enough to re-cast human beings in." [21] Ibsen sent the three acts to his publisher on 8 August, with a letter that explains that "Peer Gynt was a real person who lived ...
Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism, earlier associated with Chekhov, Ibsen, and Strindberg.