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The form factor of the cameras is a close successor to the Canon GL2, with the newer HDV models being slightly larger and heavier. The cameras were marketed towards independent and documentary filmmakers, and for broadcasters and journalists for electronic news gathering .
The last non-EOS based SLR camera produced by Canon, the Canon T90 of 1986, is widely regarded as the template for the EOS line of camera bodies, although the T90 employed the older FD lens-mount standard. For a detailed list of EOS Film and digital SLR cameras, see Canon EOS.
The cameras themselves are identical apart from the front fascia, according to the parts lists. The Canon model number on the bottom is consistent between marketing names. This article uses the Digital IXUS model names unless otherwise stated. The comparison tables in this article list equivalent IXY Digital and PowerShot Digital ELPH model names.
Canon: 1D Mark IV: APS-H: 16.1 EF: 100 63 45 50 102400 10 3 yes yes CF+SD: 156x157x80 1180 Oct 2009: Canon: 5D Mark III: Full frame: 22.3 EF: 100 63 61 50 102400 6 3.2 yes yes CF+SD: 152x117x77 950 (860 without battery) Mar 2012: Archived 2015-11-03 at the Wayback Machine: Canon: 5D Mark II: Full frame: 21.1 EF: 98 35 9 50 25600 3.9 3 yes yes ...
Depending on particular camera make and model and on post-production process, HDV footage could be rated as Silver HD, Bronze HD, or widescreen SD. [49] In particular, some users considered Canon HDV camcorders to deliver the best-looking image with the least amount of compression artifacts among the models having 25 Mbit/s MPEG-2 HD codec.
While there were larger CCD sensors made for interchangeable-lens cameras, such as the Leica M9, CCD sensors in fixed-lens cameras maxed out at 2/3″ (1/1.5″). Premium compact cameras of the time contained sensors around 1/1.7″ in size, whereas entry-level models used 1/2.3″ sensors or smaller. [37] [38] [39]