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[2] Also Liszt's mistresses Marie d'Agoult and Princess Wittgenstein wished him to be a "proper" composer with an œuvre of original pieces. Liszt himself, as it seems, shared their opinion. For many times he assured, his fantasies and transcriptions were only worthless trash. He would as soon as possible start composing his true masterworks. [3]
Bagatelle sans tonalité ("Bagatelle without tonality", S.216a) is a piece for solo piano written by Franz Liszt in 1885. The manuscript bears the title "Fourth Mephisto Waltz" [1] and may have been intended to replace the piece now known as the Fourth Mephisto Waltz when it appeared Liszt would not be able to finish it; the phrase Bagatelle ohne Tonart actually appears as a subtitle on the ...
Années de pèlerinage (French for Years of Pilgrimage) (S.160, S.161, S.162, S.163) is a set of three suites for solo piano by Franz Liszt.Much of it derives from his earlier work, Album d'un voyageur, his first major published piano cycle, which was composed between 1835 and 1838 and published in 1842. [1]
Après une lecture du Dante: Fantasia quasi Sonata (French, 'After a Reading of Dante: Fantasia quasi Sonata'; also known as the Dante Sonata) is a piano sonata in one movement, written by Hungarian composer Franz Liszt in 1849. It was first published in 1856 as part of the second volume of his Années de pèlerinage (Years of Pilgrimage).
probably misattributed to Liszt, who arr. the pieces as S.504b and S.669a 50/ 1 A286b/8 Es segne uns Gott: ch kbd 1878–79 Choral, sacred arr. for pf as S.504b/3a, for ch org as S.669a/1 50/ 2 A286b/4 Meine Seel' erhebt den Herrn (Gott sei gnädig und barmherzig) ch kbd 1878–79 Choral, sacred
Liszt's works in this category make up a small but important collection of 13 individual works, including the two versions of La lugubre gondola. Some pieces from book III of Annees de Pelerinage could fit here, as could Via Crucis and the Historical Hungarian Portraits. Liszt was deeply affected by the deaths of friends and loved ones ...
The pieces are all based on some of the Caprices (Nos. 6/5, 17, 1, 9, and 24) and concertos (No. 2/1) by Niccolò Paganini for violin, and are among the most technically demanding pieces in pianistics (especially the original versions, before Liszt revised them, thinning the textures and removing some of the more outrageous technical difficulties).
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.