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Bernard Cornwell OBE (born 23 February 1944) is a British-American author of historical novels and a history of the Waterloo Campaign. He is best known for his long-running series of novels about Napoleonic Wars rifleman Richard Sharpe. He has also written The Saxon Stories, a series of thirteen novels about the unification of England.
The Fort is a 2010 historical novel written by Bernard Cornwell which relates to the events of the Penobscot Expedition of 1779 during the American Revolutionary War. [1] The novel centers on the efforts of the British to establish and hold the fort against superior numbers of American patriots, and it contrasts the actions of John Moore and Paul Revere.
Red Coat (Pretty Little Liars), a fictional character; Red Coats, the English title for Giubbe rosse an Italian film; Redcoats, a 2019 play about holiday camps; Redcoats, a series on the lives of Butlins Redcoats; Redcoats (Australian band), a rock band in Melbourne, Australia; The Redcoats (American band), an American rock band
Sword Song (Cornwell novel), a novel by Bernard Cornwell, published in 2007 Sword Song (Sutcliff novel) , a children's novel by Rosemary Sutcliff, published posthumously in 1997 Topics referred to by the same term
It is Cornwell's first work of nonfiction, [2] after publishing more than forty novels in the historical fiction genre, including the popular Richard Sharpe series taking place during the Napoleonic Wars. The book recounts the Battle of Waterloo on 18 June 1815, including preceding events from the campaign of the same name and The Hundred Days.
Cornwell's best known books feature the adventures of Richard Sharpe, a British soldier during the Napoleonic Wars. The first 11 books of the Sharpe series (beginning in chronological order with Sharpe's Rifles and ending with Sharpe's Waterloo, published in the US as Waterloo) detail Sharpe's adventures in various Peninsular War campaigns over the course of 6–7 years.
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The Times commented that "The Empty Throne is Cornwell's best Uthred tale yet. If there is a throne for writers of this particular type of muscular historical fiction, then Cornwell is firmly wedged in it. And on this evidence, he is not budging." [1] Kirkus Reviews says, "the lusty, rollicking narrative is totally accessible and great good fun ...