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Japan black (also called black japan and bicycle paint [1]) is a lacquer or varnish suitable for many substrates but known especially for its use on iron and steel. It can also be called japan lacquer and Brunswick black. Its name comes from the association between the finish and Japanese products in the West. [2]
Japanning is most often a heavy black lacquer, almost like enamel paint. Black is common, and japanning is often synonymous with black japanning. The European technique uses varnishes that have a resin base, similar to shellac, applied in heat-dried layers which are then polished, to give a smooth glossy finish. It can also come in reds, greens ...
Ohaguro existed in Japan in one form or another for hundreds of years, and was considered a symbol of beauty for much of this time. Objects with a deep black color, such as those lacquered to a glossy black, were considered to be of great beauty, and many shades of black were used in dyeing kimono, with different shades holding different meanings.
Japan drier is a common lay term and generic product name for any oil drying agent that can be mixed with drying oils such as boiled linseed oil and alkyd resin paints to speed up "drying". The name refers to " japanning ", a term for the use of drying oils as an imitation or substitution for urushiol based Japanese lacquer .
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
Tomio Nagase founded Nagase shoten which was Koa's predecessor in 1887. Kao soap, a high-grade cosmetic soap, was launched in 1890, and the product was a big hit. This inspired the toiletry market in Japan. Some time after World War II, Kao established their first overseas operation base in Thailand in 1964.
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Five colors were available when the technique was first developed; brown, yellow, green, red, and black. [3] Urushi-e was sometimes used as a term to describe all hand-painted woodblock prints in Japan, not only those painted with lacquer, [ 4 ] however, only urushi-e used iro-urushi , meaning colored lacquer, made from mixing clear lacquer and ...