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This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Colmar Altarpiece (Caspar Isenmann) : Caspar Isenmann, Colmar Altarpiece, Arrest of Jesus (15th century). You can see its nomination here.
The Taking of Christ (Italian: Presa di Cristo nell'orto or Cattura di Cristo) is a painting, of the arrest of Jesus, by the Italian Baroque master Michelangelo Merisi da Caravaggio. Originally commissioned by the Roman nobleman Ciriaco Mattei in 1602, it is housed in the National Gallery of Ireland, Dublin.
The arrest of Jesus was a pivotal event in Christianity recorded in the canonical gospels. It occurred shortly after the Last Supper (during which Jesus gave his final sermon ), and immediately after the kiss of Judas , which is traditionally said to have been an act of betrayal since Judas made a deal with the chief priests to arrest Jesus.
The crucifixion of Jesus was the death of Jesus by being nailed to a cross. [note 1] It occurred in 1st-century Judaea, most likely in AD 30 or AD 33.It is described in the four canonical gospels, referred to in the New Testament epistles, and later attested to by other ancient sources.
Christ at the Column (also known as The Flagellation of Christ; c. 1606/1607), is a painting by the Italian Baroque painter Caravaggio, now in the Musée des Beaux-Arts de Rouen, Rouen, France.
Earlier this year a picture re-emerged that showed what Jesus might have looked like as a kid. Detectives took the Turin Shroud, believed to show Jesus' image, and created a photo-fit image from ...
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Antonio da Correggio, The Betrayal of Christ, with a soldier in pursuit of Mark the Evangelist, c. 1522. The naked fugitive (or naked runaway or naked youth) is an unidentified figure mentioned briefly in the Gospel of Mark, immediately after the arrest of Jesus in the Garden of Gethsemane and the fleeing of all his disciples: