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Minimalism describes movements in various forms of art and design, especially Visual art and music, where the work is set out to expose the essence, essentials or identity of a subject through eliminating all non-essential forms, features or concepts. As a specific movement in the arts it is identified with developments in post–World War II ...
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
Postminimalist visual art uses minimalism either as a conceptual art aesthetic or a generative art practice. Like Fluxus, Postminimalism is more of an artistic tendency than a particular style, but in general, postminimalist artworks often use everyday objects, simple materials, and sometimes take on a pure formalist aesthetics or post-conceptual approaches.
In the late 1960s, Robert Pincus-Witten [186] coined the term "postminimalism" to describe minimalist-derived art which had content and contextual overtones that minimalism rejected. The term was applied by Pincus-Witten to the work of Eva Hesse , Keith Sonnier , Richard Serra and new work by former minimalists Robert Smithson , Robert Morris ...
Minimalism was an art movement that began during the 1960s. This list of minimalist artists are primarily artists whose works were done in the 1960s, and are considered minimal, although some artists subsequently radically changed their work in the 1970s and in subsequent decades. This list is incomplete.
Robbin is the author of four books: Fourfield: Computers, Art, & the 4th Dimension (1992 ), [books 1] Engineering A New Architecture, [books 2] (1996), [2] Shadows of Reality [books 3] (2006) and Mood Swings A Painters Life [books 4] (2011), an autobiography. Robbin is a pioneer in the computer visualization of four-dimensional geometry. Since ...
Corporate Memphis is an art style named after the Memphis Group that features flat areas of color and geometric elements. Widely associated with Big Tech illustrations in the late 2010s [ 1 ] and early 2020s, [ 2 ] it has been met with a polarized response, with criticism focusing on its use in sanitizing corporate communication, [ 1 ] as well ...
[5] [1] [13] Her projects for Microsoft include the card deck for Windows 3.0's solitaire game, [26] [27] which taught early computer users to use a mouse to drag and drop objects on a screen. In 1987, she designed a "baroque" wallpaper, [9] numerous other icons, and design elements for Windows 3.0, [2] using isometric 3D and 16 dithered colors ...