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The original dance version is due to the Sevillian dancer Faíco who was accompanied by Ramón Montoya, who is said to have invented the typical farruca melody for the guitar. The success was thunderous and from then on many other dancers stylized and expanded this flamenco style, such as El Gato or Antonio Gades. [ 3 ]
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an art form based on the various folkloric music traditions of southern Spain, developed within the gitano subculture of the region of Andalusia, and also having historical presence in Extremadura and Murcia.
Zapateo, which later produced the more famous Malambos dance, arrived in South America from Spain around the year 1600 CE and was a favorite pastime of the gaucho (descendants of Spanish conquistadores and aborigines) also known as the "South American cowboys", especially around the camp fires in the lonely stretches of the flatlands, known as ...
Because the dancer is front and center in a flamenco performance, foreigners often assume the dance is the most important aspect of the art form — in fact, it is the cante which is the heart and soul of the genre. A cante singer is a cantaor or cantaora. The cante flamenco is part of musical tradition in the Andalusian region of Spain.
Bolero is a Spanish dance in 3/4 time popular in the late 18th and early 19th centuries. It originated from the seguidilla sometime between 1750 and 1772, [ 2 ] and it became very popular in Madrid, La Mancha, Andalusia and Murcia in the 1780s.
These facts contradict other views according to which the soleá would be the origin of the rest of flamenco "palos" and was from the beginning a serious and solemn style. In their primitive stages, soléa, as well as jaleo, seem to have been linked to Gypsy environments in several towns of the provinces of Cádiz and Seville.
Theory of the Jewish origin. According to this theory, suggested by flamencologist Hipólito Rossy, the petenera originated in the songs of Sephardi Jews . He even assured that Sephardi Jews in the Balkans still sang the lyrics that contain the verse of the Petenera as the "damnation of men"
Her training included mastering all branches of this dance: the bolero school, the folkloric, the classical, the stylized, and the flamenco dance. Her contribution was the "innovative idea of introducing castanets into dance, with Italian and Spanish baroque music", [1] an idea that she derived from her work with Domingo José Samperio, who invented "concerted crotalogy".