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Agfa Wittner-Chrome, Aviphot-Chrome or Agfachrome reversal stocks (rated at 200 ISO, made from Wittner-Chrome 35mm still film) are available in 16mm and 8mm from Wittner-Cinetec in Germany or Spectra Film and Video in the United States. The Agfa label was also used in widely produced East German film stocks based on Agfa patents before the ...
A Scopitone film spool. The first Scopitones were made in France by a company called Cameca on Blvd Saint Denis in Courbevoie, among them Serge Gainsbourg's "Le poinçonneur des Lilas" (filmed in 1958 in the Porte des Lilas Métro station), [4] Johnny Hallyday's "Noir c'est noir" a French version of Los Bravos' "Black Is Black") and the "Hully Gully" showing a dance around a swimming pool.
The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Tri-X is a black and white photographic film produced by the Eastman Kodak Company. Since 2013, it is distributed by Kodak Alaris which controls the Kodak Professional product line under which it is grouped. [1] The combination of hand-held cameras and high-speed Tri-X film was transformative for photojournalism [2] and for cinema. [3]
Bait (2019 film) The Ballad of Jack and Rose; Bar 51; Basket Case (film) Beach Rats; Beasts of the Southern Wild; Beeswax (film) Bellyfruit; Between the Temples; The Big Hurt (film) Bird (2024 film) Black Swan (film) Blood Hook; Blue Movie; The Body Remembers When the World Broke Open; Bolivia (film) The Brain Leeches; Breakaway (1966 film) The ...
N75, Negative film 400 ISO, High speed black-and-white panchromatic camera film for both outdoor and indoor usage. Formats: 16mm/35mm, 30.5m/100 ft, 122m/400 ft (16mm/35mm) on core and 305m/1000 ft on core (35mm). [18] Their motion picture camera films UN54 and N75 are also widely re-packaged by third parties as still camera film.
A record of the color content in black and white was thereby created and could be reconstituted by projecting the film through an identical filter. The three colored stripes (red, green and blue-violet) of the filter had to be precisely oriented parallel to the film length.
For overseas sales, 16 mm film would be used, as it was cheaper. Although domestic use of telerecording in the UK for repeat broadcasts dropped off sharply after the move to colour in the late 1960s, 16 mm black and white film telerecordings were still being offered for sale by British broadcasters well into the 1970s. [citation needed]