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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
Scopitone machine. Scopitone is a type of jukebox featuring a 16 mm film component. Scopitone films were a forerunner of music videos.The 1959 Italian Cinebox/Colorama and Color-Sonics were competing, lesser-known technologies of the time one year before the Scopitone in France.
In color film, this backing is "rem-jet", a black-pigmented, non-gelatin layer which is removed in the developing process. [32] Eastman Kodak manufactures film in 54-inch (1,372 mm) wide rolls. These rolls are then slit into various sizes (70 mm, 65 mm, 35 mm, 16 mm) as needed.
NFI Filmlab provides all these formats and films stocks (16mm, 35mm, black and white and color), and also special negative processing procedures such as bleach bypass and push/pull processing ...
Although a very early pioneer in trichromatic color film (as early as 1908), invented by German chemists Rudolf Fischer and Benno Homolka [], Agfa film was first made commercially available in 1936 (16 mm reversal and 35 mm), [2] Agfa-Gevaert has discontinued their line of motion picture camera films.
Color films that recorded the three primary colors in three emulsion layers on one strip of film had been introduced in the mid-1930s by Eastman Kodak in the United States (Kodachrome for 16mm home movies in 1935, then for 8mm home movies and 35mm slides in 1936) and Agfa in Germany (Agfacolor Neu for both home movies and slides later in 1936).
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