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The variant called Super 16 mm, Super 16, or 16 mm Type W is an adaptation of the 1.66 (1.66:1 or 15:9) aspect ratio of the "Paramount format" [8] to 16 mm film. It was developed by Swedish cinematographer Rune Ericson in 1969, [ 9 ] using single-sprocket film and taking advantage of the extra room for an expanded picture area of 12.52 mm × 7. ...
For 35 mm film these are 0.1866" and 0.1870" (4.740 mm and 4.750 mm); for 16 mm film they are 0.2994" and 0.3000" (7.605 mm and 7.620 mm). This distinction arose because early nitrocellulose film base naturally shrank about 0.3% in processing due to heat, so film printing equipment was designed to account for a size difference between its ...
A 16 mm "reel" is 400 feet (122 m). It runs, at sound speed, approximately the same amount of time (11–12 minutes) as a 1,000-foot (305 m) 35 mm reel. A "split reel" is a motion picture film reel in two halves that, when assembled, hold a specific length of motion picture film that has been wound on a plastic core.
The standard lengths for using roll film is 30.48 m (100 ft) for 35 mm rolls, and 100 ft, 130 ft and 215 feet for 16 mm rolls. One roll of 35 mm film may carry 600 images of large engineering drawings or 800 images of broadsheet newspaper pages. 16 mm film may carry 2,400 images of letter-sized images as a single stream of microimages along the ...
[8]: 43 The Ciné-Kodak Eights used double-run 8 mm film, which exposed first one half, then after the take-up reel was swapped with the supply reel, the other half of 16 mm-wide film, otherwise identical to standard 16 mm double-perf film, but with twice the number of sprocket holes; after developing, the processor would split the film and ...
The Phoenix cinema found a number of 16mm film reels in its basement and decided to get them digitised, Ms Glenn said. The film, which showed real-life footage from between the 1930s and 1960s ...
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