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In everyday digital cameras, the crop factor can range from around 1, called full frame (professional digital SLRs where the sensor size is similar to the 35 mm film), to 1.6 (consumer SLR), to 2 (Micro Four Thirds ILC), and to 6 (most compact cameras). So, a standard 50 mm lens for 35 mm film photography acts like a 50 mm standard "film" lens ...
One net result of this is that a roll of film can typically contain twice the number of exposures as in a full frame 35mm camera (that is, a roll that is nominally 36 exposures allows 72 in the half-frame format). These cameras are called "half-frame" as they expose frames half the width of typical 35mm still cameras. The resulting frame is ...
In cinematography, full frame refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm still camera. [1] Still cameras run the film horizontally behind the lens, whereas standard 35mm motion-picture cameras run the film vertically. Thus a 35mm still camera's image is significantly larger ...
The first full-frame DSLR cameras were developed in Japan from around 2000 to 2002: the MZ-D by Pentax, [26] the N Digital by Contax's Japanese R6D team, [27] and the EOS-1Ds by Canon. [28] Nikon has designated its full frame cameras as FX format and its smaller sensor interchangeable-lens camera formats as DX and CX.
They come in two main styles: full frames, in which the entire lens is made in the reading prescription, and half-eyes, style glasses that sit lower down on the nose. [2] Full frame readers must be removed to see distance clearly, while the distance can be clearly viewed over the top of half-eye readers.
3–50 frame/s in 0.001 frame/s increments; 1 frame/s if phase button held 3–50 frame/s in 0.001 frame/s increments 24V DC microprocessor-controlled, Xtal at 1, 24, 25, 29.97, and 30 frame/s forwards