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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. ... (born 1950) Tommy Gumina (1931 ...
“One can plausibly argue that the debate over jazz was just one of many that characterized American social discourse in the 1920s” (Ogren 3). In 1919, jazz was being described to white people as “a music originating about the turn of the twentieth century in New Orleans that featured wind instruments exploiting new timbres and performance techniques and improvisation” (Murchison 97).
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
See also the list of cool jazz and West Coast musicians for further detail. Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The ...
28 – Gigi Gryce, American saxophonist (died 1983). December. 1 – Dick Johnson, American clarinetist (died 2010). 5 – Alvin Tyler, American saxophonist (died 1998). 6 – Bob Cooper, American saxophonist (died 1993). 8 – Sammy Davis Jr., American singer (died 1990). 12 – Dodo Marmarosa, American jazz pianist (died 2002). 15
The Swing Era: The Development of Jazz, 1930–1945. Oxford University Press US. ISBN 978-0-19-507140-5. Shaw, Arnold (1989). The jazz age: popular music in the 1920s. Oxford University Press US. ISBN 978-0-19-506082-9. Sudhalter, Richard M. (2003). Stardust Melody: The Life and Music of Hoagy Carmichael. Oxford University Press US.
Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]