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In 1920, the jazz age was underway and was indirectly fueled by prohibition of alcohol. [5] In Chicago, the jazz scene was developing rapidly, aided by the immigration of over 40 prominent New Orleans jazzmen to the city, continuous throughout much of the 1920s, including The New Orleans Rhythm Kings who began playing at Friar's Inn. [5]
The Jazz Age was a period in the 1920s and 1930s in which jazz music and dance styles gained worldwide popularity. The Jazz Age's cultural repercussions were primarily felt in the United States, the birthplace of jazz.
This is a list of jazz musicians by instrument based on existing articles on Wikipedia. Do not enter names that lack articles. ... (born 1950) Tommy Gumina (1931 ...
The birth of a more urban and industrialized America was in part marked by the new style of music: jazz (Drowne 3). Leading up to 1920, America was becoming much more industrialized which led to the decade starting off with many strikes across different fields. However, as the decade progressed, the number of those in labor unions steadily ...
West Coast jazz refers to styles of jazz that developed in Los Angeles and San Francisco during the 1950s. West Coast jazz is often seen as a subgenre of cool jazz, which consisted of a calmer style than bebop or hard bop. The music relied relatively more on composition and arrangement than on the individually improvised playing of other jazz ...
28 – Gigi Gryce, American saxophonist (died 1983). December. 1 – Dick Johnson, American clarinetist (died 2010). 5 – Alvin Tyler, American saxophonist (died 1998). 6 – Bob Cooper, American saxophonist (died 1993). 8 – Sammy Davis Jr., American singer (died 1990). 12 – Dodo Marmarosa, American jazz pianist (died 2002). 15
Kansas City jazz is popular in these cities. Kansas City jazz is a style of jazz that developed in Kansas City, Missouri during the 1920s and 1930s, which marked the transition from the structured big band style to the much more improvisational style of bebop.
Relatively little has been written about sacred and liturgical jazz. In a 2013 doctoral dissertation, Angelo Versace examined the development of sacred jazz in the 1950s using disciplines of musicology and history. He noted that the traditions of black gospel music and jazz were combined in the 1950s to produce a new genre, "sacred jazz". [187]