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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
University Art Gallery, University of Massachusetts Dartmouth - An Ernst Haeckel exhibition from 2005 pairing prints from Kunstformen der Natur with modern sculptures. Kurt Stüber's Biolib - An online version of Kunstformen der Natur with scanned images of the 100 plates, accompanying descriptions, table of contents and supplemental pages (in ...
The oldest firmly dated rock-art painting in Australia is a charcoal drawing on a rock fragment found during the excavation of the Nawarla Gabarnmang rock shelter in south western Arnhem Land in the Northern Territory. Dated at 28,000 years, it is one of the oldest known pieces of rock art on Earth with a confirmed date.
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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
This list of wildlife artists is a list for any notable wildlife artist, wildlife painter, wildlife photographer, other wildlife artist, society of wildlife artists, museum, or exhibition of wildlife art, worldwide.
Art Nouveau artists included Eugène Grasset, whose publication Plants and Their Application to Ornament [64] (1896) emphasized the importance of studying natural forms in art . His student, Maurice Pillard Verneuil, wrote Etude de la plante : son application aux industries d'art (1903), which featured real, detailed botanical plates. Another ...