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Some editions are entitled Beautiful Stories from Shakespeare for Children. The book is an expanded version of Nesbit's earlier book, The Children's Shakespeare (1897), a collection of twelve tales likewise based on plays by William Shakespeare.
For example, Romeo and Juliet's love is a light in the midst of the darkness of the hate around them, but all of their activity together is done in night and darkness while all of the feuding is done in broad daylight. This paradox of imagery adds atmosphere to the moral dilemma facing the two lovers: loyalty to family or loyalty to love. At ...
Shakespeare combined the two throughout his career, with Romeo and Juliet perhaps the best example of the mixing of the styles. [6] By the time of Romeo and Juliet, Richard II, and A Midsummer Night's Dream in the mid-1590s, Shakespeare had begun to write a more natural poetry. He increasingly tuned his metaphors and images to the needs of the ...
Originally, "Romeo and Juliet" was a cautionary tale about romantic love; if the kids had obeyed their parents, they would still be alive at the play’s end. But then, Shakespeare wouldn’t have ...
The key thesis of the book: "However many characters may appear in a story, its real concern is with just one: its hero. It is the one whose fate we identify with, as we see them gradually developing towards that state of self-realization which marks the end of the story.
But even if Romeo & Juliet were the most relatable play in the world, the notion of getting teens and twenty-somethings to pack the house for iambic pentameter feels like an uphill battle. That ...
In Verona, Italy, two families, the Montagues and the Capulets, are in the midst of a bloody feud. Romeo, a Montague, and Juliet, a Capulet, fall in love and struggle to maintain their relationship in the face of familial hatred. After Romeo kills Juliet's cousin Tybalt in a fit of passion, things fall apart.
Hamlet is an outstanding example of "groundlings" quickness and response. [24] Use of groundlings enhanced Shakespeare's work practically and artistically. He represented English people more concretely and not as puppets. His skills have found expression in chronicles, or history plays, and tragedies.