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The metaphor of a golden age began to be applied in 19th-century literature about Islamic history, in the context of the western aesthetic fashion known as Orientalism.The author of a Handbook for Travelers in Syria and Palestine in 1868 observed that the most beautiful mosques of Damascus were "like Mohammedanism itself, now rapidly decaying" and relics of "the golden age of Islam".
Although the concept of "Islamic art" has been put into question by some modern art historians as a construct of Western cultural views, [9] [10] [11] the similarities between art produced at widely different times and places in the Muslim world, especially in the Islamic Golden Age, have been sufficient to keep the term in wide use as a useful ...
The Islamic world also influenced other aspects of medieval European culture, partly by original innovations made during the Islamic Golden Age, including various fields such as the arts, agriculture, alchemy, music, pottery, etc. Many Arabic loanwords in Western European languages, including English, mostly via Old French, date from this ...
The Islamic Golden Age was a period of cultural, ... originally invented some time between 200 and 150 BC, ... Museum of Islamic Art, Doha 15th century.
This is the 'Golden Age' of Islamic glassmaking, [40] despite the fractious nature of the Islamic world. Persia and Mesopotamia (along with parts of Syria for some time) came under control of the Seljuq Turks, and later the Mongols, while in the Eastern Mediterranean, the Ayyubid and Mamluk Dynasties held sway.
Turkish and Islamic Arts Museum. The 'Golden Age' of Ottoman illumination occurred during the reign of Sultan Suleiman the Magnificent, spanning from 1520 to 1566. Illumination was used to decorate royal edicts and insignias, book covers, heads of Qur'anic chapters, and end pages.
Islamic art began with artists and craftsmen mostly trained in Byzantine styles, and though figurative content was greatly reduced, Byzantine decorative styles remained a great influence on Islamic art, and Byzantine artists continued to be imported for important works for some time, especially for mosaics.
[47] [48] [49] After a period of disuse in the nineteenth century, when a more minimal page layout became popular with printers like Bodoni and Didot, the concept returned to popularity with the arrival of the Arts and Crafts movement, Many fine books from the period 1890–1960 have arabesque decorations, sometimes on paperback covers. [50]