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"Born Under a Bad Sign" is a blues song recorded by American blues singer and guitarist Albert King in 1967. Called "a timeless staple of the blues", [2] the song also had strong crossover appeal to the rock audience with its synchronous bass and guitar lines and topical astrology reference. [3] "
Born Under a Bad Sign is the second compilation album by American blues musician Albert King, released in August 1967 by Stax Records.It features eleven electric blues songs that were recorded from March 1966 to June 1967, throughout five different sessions.
Rob Tyner performed under his own name for many years but also performed under "The MC5" for some live gigs for a brief period. He also collaborated with Eddie and the Hot Rods, releasing a 7" with them in 1979. During the mid-1980s, Tyner produced a single for Detroit band Vertical Pillows, and occasionally made brief guest appearances during ...
Wayne Kramer, a guitarist and founding member of the punk band MC5, has died at age 75. On Feb. 2, a statement posted to the musician's official Instagram account revealed the news of his death.
“Born Under a Bad Sign” feat. Paul Rodgers (vocal) “Papa Was a Rolling Stone” feat. Demi Lovato (vocal) “Killing Floor” feat. Brian Johnson (vocal) and Steven Tyler (harmonica)
Wayne Stanley Kramer (né Kambes; April 30, 1948 – February 2, 2024) was an American guitarist, singer, songwriter, producer, and film and television composer.Kramer came to prominence in the 1960s as the lead guitarist of the Detroit rock band MC5.
The Hard Stuff is the solo debut album by American musician Wayne Kramer, best known as a guitarist with the 1960s group MC5. It was released on January 10, 1995, by Epitaph Records. Kramer is supported by a range of younger musicians including the band Claw Hammer and members of Bad Religion, the Melvins, and Suicidal Tendencies. [1]
AllMusic deemed the album "a howling, furious blast of what made the MC5 one of the finest (and most dangerous) American rock bands of the 1960s." [ 12 ] The Spin Alternative Record Guide pointed out that the MC5 "borrowed openly enough from black influences to make a person wonder at the bleaching of alternative in the years that followed."