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Hollywood glamour photography in 1930s and 1940s George Edward Hurrell (June 1, 1904 – May 17, 1992) was a photographer who contributed to the image of glamour presented by Hollywood during the 1930s and 1940s.
Hayworth was a top glamour girl in the 1940s, a pin-up girl for military servicemen and a beauty icon for women. At 5 ft 6 in (1.68 m) and 120 lb (54 kg), [54] she was tall enough to be a concern for dancing partners such as Fred Astaire. She reportedly changed her hair color eight times in eight movies. [55]
Old Hollywood glamour hits the Venice Film Festival red carpet. Leah Dolan, CNN. September 3, 2024 at 1:03 PM. ... Jolie finished off her look with a 1930s-style faux fur shrug, a golden rose ...
Adrian: A Lifetime of Movie Glamour, Art and High Fashion, by Author Leonard Stanley, Foreword by Robin Adrian, Text by Mark A. Vieira; Chierichetti, David (1976). Hollywood Costume Design. New York: Harmony Books. ISBN 9780517526378. Gutner, Howard (2001). Gowns by Adrian: The MGM Years, 1928–1941. New York: Harry N. Abrams Publishers.
From photographing Hollywood starlets to carrying out one of the ... In 1930 George Hoyningen-Huene pulled off one of the greatest dupes in the history of photography. ... Glamour & Style ...
The year 1930 is the start of "the golden age of Hollywood", which through at least the 1940s. The studio system was at its height in the 1930s, studios having great control over a film's creative decision. This included the creation of the Hays Code, which was the first large scale attempt at organized censorship of Hollywood films.
Indian saree made from chiffon fabric, inspired by the evening dresses of Hollywood starlets. Throughout the 1930s and early 1940s, a second influence vied with Paris couturiers as a wellspring for ideas: the American cinema. [7] As Hollywood movies gained their popularities, general public idolized movie stars as their role models.
The "Golden Age" of the glamour in Hollywood was the 1930s and 1940s, following the Great Depression and its aftermath. [5]"Glamour is the result of chiaroscuro, the play of light on the landscape of the face, the use of the surroundings through the composition, through the shaft of the hair and creating mysterious shadows in the eyes.