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Durga is a raga in Hindustani Classical music. It shares some features with Shuddha Saveri of Carnatic music (such as the note positions), but is significantly different from it in terms of the sancharas of the raga. Unless mentioned otherwise, notes refer to the concept of notes in Indian classical music, called ‘swara’ in Hindustani.
Song Film Music Composer Singer(s) Lang; Ābhēri (Carnatic) Bhimpalasi (Hindustani) Maname Ganamum [TH - A Raga's Journey 1] Savitri Papanasam Sivan: M. S. Subbulakshmi: Ābhēri / Bhimpalasi "Bina Madhur Madhur Kachhu Bol" Ram Rajya (1943 film) Shankar Rao Vyas Saraswati Rane: Hindi: Ābhēri / Bhimpalasi "Duniya Se Ji Ghabra Gaya" Laila ...
Lower case indicates 'komal' or flat notes, " indicates higher (third) octave, ' indicates lower (first) octave Aroha: N' S g m P N S' [1] Avaroha: S" N D P, m P g, m g R S [1] The raag has Komal Ga. It is an Audava-Sampoorna raga, implying that it has 5 notes in Arohana and 7 in Avarohana.
Hindi film songs, more formally known as Hindi Geet or Filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
Puriya Dhanashree is a raga in Hindustani classical music. It belongs to the Purvi thaat and has been derived from the defining raga of that thaat – Raga Purvi. The notes of Puriya Danashree correspond, in Western terms, to the double harmonic scale with an augmented fourth.
Yaman's Jati is a Sampurna raga (ideally, yaman is audav sampoorna raag because of the structure- N,RGmDNR'S' NDPmGRS) and in some cases Shadav; the ascending Aaroha scale and the descending style of the avroha includes all seven notes in the octave (When it is audav, the Aroha goes like N,RGmDNS', where the fifth note is omitted; Pa but the Avaroha is the same complete octave).
Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas. The same raga in Carnatic music is known as Mohanam. Raga Bhoopali, Raga Yaman, and Raga Bhairav tend to be the three basic ragas of Hindustani music, learned first by its students. [2]
Bihag uses all seven music swars, and both Madhyams (Shuddha and tivra) are used. The Shuddha Madhyam is more prominent; tivra Madhyama is only used with Panchama in the phrase PA MA' GA MA GA. In Avarohana , Rishabh and Dhaivat are not used as resting notes, but they are used in meend .