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Key grip working on set. A key grip is a senior role on movie sets, [1] involved with a wide variety of behind-the-scenes tasks. The key grip supervises grip crews who support camera and lighting technicians; assesses what equipment is necessary for each shooting location; coordinates the transportation of this equipment and its set up; and arranges the general movement and positioning of the ...
Key grip or first company grip: the boss or head of the grip department. Best boy grip or second company grip: this is the key grip's right-hand person. He or she will act on behalf of the key grip in areas such as booking crew and equipment rental. 3rd grip, company grip, hammer, or gang grip: the majority of grips fit into this category. They ...
Key grip The key grip is the chief grip on a set, and is the head of the set operations department. The key grip works with the director of photography to help set up the set and to achieve correct lighting and blocking. They are also used to manoeuver the cameras around the set. Best boy (grip) The best boy is chief assistant to the key grip.
During shooting, the best boy may also cover for the key grip or gaffer when he or she is on a break or otherwise away from the set. On films with very small crews, the electricals (lighting) department often consists of only a gaffer, a best boy, and a few electricians. The grip department may include only a key grip, a best boy, and a few grips.
The key grip is the head grip. Grips affect shadow effects with lights, and occasionally maneuver camera cranes, dollies, and platforms under direction from the Cinematographer. The term grip is used in slightly different ways in American and British or Australian film making.
The key grip collaborates closely with the director of photography and relies on the best boy as their chief assistant. key light One of three light sources in a traditional three-point lighting set-up, generally positioned directly in front of the subject being filmed or photographed and supplemented by the back light and fill light .
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A dolly grip is also employed when the camera is operated in handheld mode (on the operator's shoulders or literally in their hands). While the camera operator is moving with the camera, the dolly grip is responsible for the operator's safety, helping the operator to "blindly" negotiate sometimes complicated environments.