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Writing in Rolling Stone, Keith Harris gave this release 3.5 out of five stars, comparing the songs to The Cranberries and noting Hull's "expansive and echoey production, dominated by electric guitars that chime then reverberate into infinity" that leads to "a cozily wistful melancholy", but criticizes Jackson's lyrics as uneven. [4]
For Melancholy Brunettes (and Sad Women) is the upcoming fourth studio album by American indie pop band Japanese Breakfast. It is scheduled to be released on March 21, 2025, through Dead Oceans , nearly four years after their previous studio album Jubilee (2021).
[2] Eric D. Bernasek of Spectrum Culture in a positive review, stated that album is "uniformly calm and wistful, evoking the subtly discomfiting melancholy of nostalgia"; however, they criticised the song "Urban Snow" feeling that "The track limits the album’s usefulness as environmental music" by having a spoken word passage in it, and that ...
"Gotta Get Up" is a song written by American singer-songwriter Harry Nilsson and the opening track from his 1971 album Nilsson Schmilsson. It was first released as the B-side to his single "Without You". "Gotta Get Up" is an upbeat pop song with a music hall feeling [2] and lyrics about transitioning from carefree youth to adult responsibility ...
The song was promoted by a music video clip filmed on 21 September 1982, ... It combines a rising sense of melancholy, both in its melody and production, with wistful ...
"Go West" is a song by American disco group Village People, released in June 1979 by Casablanca Records as the second single from their fourth studio album of the same name (1979). The song was written by Jacques Morali, Henri Belolo and lead singer Victor Willis, while Morali produced it. It was successful in the disco scene during the late ...
Rolling Stone critic Ken Tucker calls the Pretenders' "Stop Your Sobbing" "ideal radio fare," describing it as having "Labour of Lust's feathery pop feel" and that "echoed to enhance Davies' wistful melancholy, Hynde sounded like a solo Mamas and the Papas, but her tone surged at the ends of choruses to imply enormous resentment at even having ...
To highlight the wistful melancholy of "If You're Gone", McGuinn and Melcher devised a droning, Gregorian harmony vocal part that sounds uncannily like another instrument and foreshadowed the raga rock experimentation the band would undertake on their next album. [13] [22] The third Clark-penned song on Turn! Turn!