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The east metopes are organized symmetrically around a central axis, the same as for the eastern frieze and the as with the east pediment; moreover, the identifications are sometimes made by comparison with the divinities present in parallel on these two other decorative elements of the Parthenon. The four central metopes (east VI, VII, VIII and ...
The pediments of the Parthenon are the two sets of statues (around fifty) in Pentelic marble originally located as the pedimental sculpture on the east and west facades of the Parthenon on the Acropolis of Athens. They were probably made by several artists, including Agoracritos. The master builder was probably Phidias. They were probably ...
The Parthenon frieze is the defining monument of the High Classical style of Attic sculpture. [31] It stands between the gradual eclipse of the Severe style, as witnessed on the Parthenon metopes, [32] and the evolution of the Late Classical Rich style, exemplified by the Nike balustrade.
The term Parthenon Marbles or Parthenon Sculptures (Greek: Γλυπτά του Παρθενώνα) refers to sculptures—the frieze, metopes and pediments—from the Parthenon held in various collections, principally the British Museum and the Acropolis Museum in Athens. [2]
The Parthenon's west pediment depicted the contest between Athena and Poseidon over Attica and the east pediment the birth of Athena. [15] Classical archeologists since Johann Joachim Winckelmann's Geschichte der Kunst des Alterthums (published 1764) have recognized Greek pediment sculpture, in particular the pediments of the Parthenon, as the standard of the highest-quality art in antiquity. [16]
Its decorative sculptures are considered some of the high points of classical Greek art, and the Parthenon is considered an enduring symbol of Ancient Greece, democracy, and Western civilization. [8] [9] The Parthenon was built in the 5th century BC in thanksgiving for the Hellenic victory over Persian Empire invaders during the Greco-Persian ...
Mikon, a Greek man (potentially a shepherd) from the 6 th century BC, may have left us the ultimate clue to an unknown temple that once filled the space now occupied by the great Parthenon.And ...
Some of the earliest surviving examples are stone metopes from a peripteral temple at Mycenae, ca. late 7th century BC, and painted clay metopes from Thermus, ca. early 6th century BC. [1] The high-point of relief sculpture on metopes is exemplified by the 92 metopes of the Parthenon , metopes of the temple of Zeus at Olympia , [ 1 ] together ...