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In the late 1950s, popular artists such as Peret (El Rey de la Rumba) and El Pescaílla developed an uptempo style that combined elements from rumba flamenca, Spanish gypsy music and pop. This became known as Catalan rumba (rumba catalana). [16] In the 1980s, the style gained international popularity thanks to French ensemble Gipsy Kings.
Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form.
Cuban transculturation melds Spanish culture with African cultures, as with the seamless merging found in rumba. Ortiz saw transculturation as a positive social force: "consecrating the need for mutual understanding on an objective grounding of truth to move toward achieving the definitive integrity of the nation."
The word rumba is an abstract term that has been applied with different purposes to a wide variety of subjects for a very long time. From a semantic point of view, the term rumba is included in a group of words with similar meaning such as conga, milonga, bomba, tumba, samba, bamba, mambo, tambo, tango, cumbé, cumbia and candombe. All of them ...
The Catalan rumba (Catalan: rumba catalana, IPA: [ˈrumbə kətəˈlanə]) is a genre of music that developed in Barcelona's Romani community beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian flamenco rumba , with influences from Cuban music and rock and roll .
Cuban rumba, a traditional Cuban music genre; Galician rumba, a music genre of Galicia, Spain, influenced by Cuban music. Rhumba, also known as ballroom rumba, an American style of ballroom music; Rumba flamenca, a style of flamenco; Catalan rumba, a Spanish popular music style; Rumba criolla, a genre of Colombian popular music
Beginning in the late 1960s, band conga players began incorporating elements from folkloric rhythms, especially rumba. Changuito and Raúl "el Yulo" Cárdenas of Los Van Van pioneered this approach of the songo era. This relationship between the drums is derived from the style known as rumba. The feeling of the high drum part is like the quinto ...
The word Salsa means sauce in the Spanish language. The origin of the connection of this word to a style of music is disputed by various music writers and historians. The musicologist Max Salazar traced the origin of the connection to 1930 when Ignacio Piñeiro composed the song Échale salsita (Put some sauce in it). [19]