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Keisai Eisen (渓斎 英泉, 1790–1848) was a Japanese ukiyo-e artist who specialised in bijin-ga (pictures of beautiful women). His best works, including his ōkubi-e ("large head pictures"), are considered to be masterpieces of the "decadent" Bunsei Era (1818–1830). He was also known as Ikeda Eisen, and wrote under the name of Ippitsuan.
Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2] On the other hand, Gendai Nihon Bijin-ga Zenshū Meisaku-sen I defines bijin-ga as pictures that explore "the inner beauty of women". [3]
The title page for the series of ukiyo-e prints.. The Sixty-nine Stations of the Kisokaidō (木曾街道六十九次, Kisokaidō Rokujūkyū-tsugi) or Sixty-nine Stations of the Kiso Road, is a series of ukiyo-e works created by Utagawa Hiroshige and Keisai Eisen.
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An Urban Couple Amidst their Clothing by Keisai Eisen, From the series Grass on the Way of Love (Koi no michikusa), c. 1825, Honolulu Museum of Art Date circa 1825
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This leads to an array of items getting thrown about the kitchen. Cabinet doors swing open, something on the counter slides onto the floor and a large mop bucket slides toward the camera .
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