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The first recording to be released was by Al Hibbler, whose version reached No. 4 on Billboard ' s chart of Best Sellers in Stores, No. 7 on Billboard ' s Top 100, No. 7 on Billboard ' s chart of Most Played by Jockeys, and No. 8 on Billboard ' s chart of Most Played in Juke Boxes. [1]
The song is a contemporary version of a classic worship song making the case for "10,000 reasons for my heart to find" to praise God. The inspiration for the song came through the opening verse of Psalm 103: "Praise the Lord, my soul; all my inmost being, praise his holy name".
The Christian Year; The Church's One Foundation; Come Down, O Love Divine; Come Thou Almighty King; Come Thou Fount of Every Blessing; Come, O thou Traveller unknown; Come, Thou Long Expected Jesus; Come, Ye Thankful People, Come; Corpus Christi Carol; Crown Him with Many Crowns
This list of best Easter songs and albums, including favorites performed by contemporary Christian artists (plenty of Hillsong Worship and Chris Tomlin), gospel greats, world-renowned choirs, and ...
"Amazing Grace" is a Christian hymn published in 1779, written in 1772 by English Anglican clergyman and poet John Newton (1725–1807). It is possibly the most sung and most recorded hymn in the world, and especially popular in the United States, where it is used for both religious and secular purposes.
Finnish soprano Tarja Turunen included the song in her classical album From Spirits and Ghosts (Score for a Dark Christmas) (6 October 2017). [ 31 ] [ 32 ] Australian Christian-rock band For King & Country featured the song on their live album, Christmas: Live from Phoenix (2017), as well a studio version featuring Needtobreathe on their album ...
Canticle of Simeon (Nunc dimittis); Canticle of the Blessed Virgin (Magnificat); Canticle of the Three Children; Careworn Mother Stood Attending; Come, Creator Spirit; Come Down, O Love Divine
Its sheet music sales made it one of the most commercially successful songs in the UK and United States around the beginning of the 20th century, and also "perhaps the most pirated musical piece prior to the Internet", according to copyright scholar Adrian Johns. [1]