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The Adobe Glyph List (AGL) is a mapping of 4,281 glyph names to one or more Unicode characters.Its purpose is to provide an implementation guideline for consumers of fonts (mainly software applications); it lists a variety of standard names that are given to glyphs that correspond to certain Unicode character sequences.
Windows Glyph List 4, or more commonly WGL4 for short, also known as the Pan-European character set, is a character repertoire on Microsoft operating systems comprising 657 Unicode characters, two of them for private use.
A glyph (/ ɡ l ɪ f / GLIF) is any kind of purposeful mark.In typography, a glyph is "the specific shape, design, or representation of a character". [1] It is a particular graphical representation, in a particular typeface, of an element of written language.
The sentence "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents", in Zalgo textZalgo text is generated by excessively adding various diacritical marks in the form of Unicode combining characters to the letters in a string of digital text. [4]
Among the fonts in widespread use, [6] [7] full implementation is provided by Segoe UI Symbol and significant partial implementation of this range is provided by Arial Unicode MS and Lucida Sans Unicode, which include coverage for 83% (80 out of 96) and 82% (79 out of 96) of the symbols, respectively.
Many scripts in Unicode, such as Arabic, have special orthographic rules that require certain combinations of letterforms to be combined into special ligature forms.In English, the common ampersand (&) developed from a ligature in which the handwritten Latin letters e and t (spelling et, Latin for and) were combined. [1]
CSS3 provides control over these properties using font-feature-settings, [42] though the CSS Fonts Module Level 4 draft standard indicates that authors should prefer several other properties. [43] Those include font-variant-ligatures , common-ligatures , discretionary-ligatures , historical-ligatures , and contextual .
Glyph construction can be a complex process when there are many dimensions to be represented in the visualization. Maguire et al proposed a taxonomy based approach to glyph-design that uses a tree to guide the visual encodings used to representation various data items.