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List of Clydebank F.C. (1965) seasons; 1975–76 Spring Cup Final This page was last edited on 23 August 2021, at 17:48 (UTC). Text is available under the ...
For example, in the key of C-Major, the chord D-minor-seventh can be written as 2− 7, 2m 7, or ii 7. "The musicians in Nashville use the Nashville Number System almost exclusively for conveying a song's structure and arrangement in the recording studio."
Players of Clydebank F.C. (the current club established in 2003). For players of the older entities with the same name, see Category:Clydebank F.C. (1914) players and Category:Clydebank F.C. (1965) players, as well as Category:Clydebank Juniors F.C. players.
Clydebank Football Club was a Scottish football club based in the town of Clydebank, West Dunbartonshire.The fourth entity to carry the name, Clydebank were formed in 1965 following the relocation of East Stirlingshire Clydebank F.C., a club formed by a contentious merger of Clydebank Juniors and East Stirlingshire (based in Falkirk) in 1964 with the intention of creating a senior club for the ...
They folded in 1895, and were followed by another Clydebank F.C. in 1899 who soon became defunct in 1902. [1] In 1900, Junior Football team, Duntocher F.C., based in the neighbouring village of Duntocher, moved to Clydebank and changed name to Clydebank Juniors. [1] A third club named Clydebank F.C. were formed in 1914.
2–1 Cooper, McCallan: 1,274 9 25 October Queen's Park: H: 1–1 Cooper: 1,480 10 1 November Brechin City: H: 3–0 Hay (2), Cooper: 1,481 11 8 November Forfar Athletic: A: 2–0 Larnach, Brash: 812 12 15 November Meadowbank Thistle: A: 0–0 586 13 22 November Alloa Athletic: H: 3–1 Cooper (3 including 2 penalties) 1,612 14 29 November ...
In the key of C major, the I major 7 chord is "C, E, G, B," the iii chord ("III–7" [11]) is E minor 7 ("E, G, B, D") and the vi minor 7 chord is A minor 7 ("A, C, E, G"). Both of the tonic substitute chords use notes from the tonic chord, which means that they usually support a melody originally designed for the tonic (I) chord.
In voicing jazz chords, performers focus first on the seventh and the major or minor third of the chord, with the latter indicating the chord quality, along with added chord extensions (e.g., elevenths, even if not indicated in the lead sheet or fake book) to add tone "colour" to the chord.