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"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...
During the same period that Ornstein was introducing tone clusters to the concert stage, Ives was developing a piece with what would become the most famous set of clusters: in the second movement, "Hawthorne", of the Concord Sonata (c. 1904–1915, publ. 1920, prem. 1928, rev. 1947), mammoth piano chords require a wooden bar almost fifteen ...
Contemporary Christian worship in Rock Harbor Church, Costa Mesa, California, United States. Contemporary worship music (CWM), also known as praise and worship music, [1] is a defined genre of Christian music used in contemporary worship. It has developed over the past 60 years and is stylistically similar to pop music. The songs are frequently ...
The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which rely exclusively on traditional chants, and disallow instrumental accompaniment. Along with the more classical sacred music of composers ranging from Mozart to Monteverdi , the Catholic Church continued to produce many popular hymns such as Lead, Kindly ...
In addition to being consistently popular throughout Western Christendom in Protestant hymnbooks, it is now a suggested hymn for Catholic Masses in the U.S., [17] and appears in the Catholic Book of Worship published by the Canadian Catholic Conference in 1972. [18]
The song has often been attributed to "early" Quakers, but Quakers did not permit congregational singing in worship until after the American Civil War (and many still do not have music regularly). But learning it in social activist circles of the fifties and hearing Seeger's (erroneous) attribution endeared the song to many contemporary Quakers ...
Ono watched as he composed the melody, chord structure and almost all the lyrics, nearly completing the song in one brief writing session. [12] Described as a piano ballad [15] performed in the soft rock genre, [16] the song is in the key of C major. [17] Its 4-bar piano introduction begins with a C chord then moves to Cmaj7 before changing to F.
Original accompanists included Bob Silverman on piano and Gerald Allen on bass guitar. After a few months, Jeff Wood would replace Allen and Pete McLeod would join on guitar. [ 6 ] Even later on, the Heritage Singers collaborated with Ronn Huff , who arranged many of their early albums with full orchestration. [ 7 ]