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The Breed is a 2001 horror film with an estimated budget of 4 million dollars. The film features a dystopic future in which vampires are a marginalized race living in formerly Jewish ghettos, often shot in actual abandoned Jewish ghettos. Another major influence in the look of the film is Terry Gilliam's Brazil. [1]
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The Breed earned an approval rating of 27% indicating general dislike from critics on Rotten Tomatoes. With reviews that read; "The Breed' is an unfortunate, boring movie, with dialogues that seem out of the mind of a schoolboy." by Juan Luis Caviaro of Espinof, "A bargain basement effort that(TM)s about as scary as a rabbit with an ingrown ...
The Breed may refer to: The Breed (2001 film) , a vampire horror film directed by Michael Oblowitz The Breed (2006 film) , a killer dog horror film directed by Nicholas Mastandrea
According to fact-checking site Snopes, they found no record of Trump saying this in 1998 or any other time according to their research. In the 1980s and 1990s, Trump had talked about politics and ...
123Movies, GoMovies, GoStream, MeMovies or 123movieshub was a network of file streaming websites operating from Vietnam which allowed users to watch films for free. It was called the world's "most popular illegal site" by the Motion Picture Association of America (MPAA) in March 2018, [3] [6] before being shut down a few weeks later on foot of a criminal investigation by the Vietnamese ...
The film premiered at the 1998 Sundance Film Festival as an Official Selection. [4] The film was renamed The Curve after its Sundance premiere to avoid confusion with the film Dead Man on Campus, a comedy with a similar pass by catastrophe premise about two college roommates who try to get another roommate to commit suicide which was released the same year.
He characterized the movie as a disturbing sequence of events involving torture, rape, murder, and dismemberment, all interwoven with derogatory sexist and racist language. Ebert's critique delved into the film's tone, expressing skepticism about its reliance on irony and laughter to shield the audience from a moral response.