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"Praise to the Lord, the Almighty" is a Christian hymn based on Joachim Neander's German-language hymn "Lobe den Herren, den mächtigen König der Ehren", published in 1680. [2] John Julian in his A Dictionary of Hymnology calls the German original "a magnificent hymn of praise to God, perhaps the finest creation of its author, and of the first ...
Lord God Almighty!) references Isaiah 6:3 and Revelation 4:8 [3] and mirrors the opening line of the Sanctus (Holy, Holy, Holy, Lord God of hosts). Described as a "reverent and faithful paraphrase of Revelation 4:8–11" and of the Johannine vision of unending worship in Heaven, it is an example of Heber's dutiful attempt to avoid excessive ...
El Shaddai (אל שׁדי) is most often translated as "God Almighty". El-Elyon na Adonai (אל עליון נא אדני) is a combination of two names for God, meaning "God Most High, please my Lord". (The 'ai' in 'Adonai' is a possessive.)
Their music has been influenced by folk music and classical music and their lyrics incorporate techniques used in contemporary songwriting and standard hymnody. [29] In reference to his songwriting and musical performance, Keith Getty wrote in 2015: "I do not pretend to be qualified to write a theological treatise on this particular subject.
The book contains a table of contents, followed by a preface with a message from the church's first presidency, which encourages church members to use the hymn book at meetings and in their homes to invite the spirit and to teach doctrine.
Like Psalms 146, 147, 148, and 149, Psalm 150 begins and ends in Hebrew with the word Hallelujah. [3] Further, David Guzik notes that each of the five books of Psalms ends with a doxology (i.e., a benediction), with Psalm 150 representing the conclusion of the fifth book as well as the conclusion of the entire work, [4] in a more elaborate manner than the concluding verses which close the ...
Lyrics given in most English hymnals: Immortal, invisible, God only wise, In light inaccessible hid from our eyes, Most blessèd, most glorious, the Ancient of Days, Almighty, victorious, thy great Name we praise. Unresting, unhasting, and silent as light, Nor wanting, nor wasting, thou rulest in might; Thy justice like mountains high soaring above
The text is metrically adapted to the then new British royal anthem and was initially sung with its tune. [5]Felice Giardini after Giovanni Battista Cipriani. Presently, "Come Thou Almighty King" is usually sung to the tune "Italian Hymn" (also called "Moscow" or "Trinity"), which was written as a musical setting for this hymn by Felice Giardini at the request of Countess Selina Shirley.