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He was born around 850 AD and was the son of Olaf the White, King of Dublin, and Aud the Deep-minded, who was the daughter of Ketil Flatnose. [1] After the death of Olaf, Aud and Thorstein went to live in the Hebrides, then under Ketil's rule. [2] Thorstein eventually became a warlord and allied with the Jarl of Orkney, Sigurd Eysteinsson. [1]
Olaf married Aud the Deep-minded (Auðr), daughter of Ketil Flatnose, the ruler of the Hebrides, according to Icelandic traditions (Landnámabók, Laxdæla saga). The Irish sources name Olaf's wife only as the daughter of a "King Aedh". [2] Olaf and Auðr had a son, Thorstein the Red (Þorsteinn rauðr), who attempted to conquer Scotland in the ...
She married Olaf the White (Oleif), son of King Ingjald, who had named himself King of Dublin after going on voyages to Britain and then conquering the shire of Dublin. They had a son named Thorstein the Red. After Oleif was killed in battle in Ireland, Aud and Thorstein journeyed to the Hebrides. Thorstein married there and had six daughters ...
Ketill's daughter, Aud the Deep-Minded, married Olaf the White, King of Dublin. Their son, Thorstein the Red , briefly conquered much of northern Scotland during the 870s and 880s before he was killed in battle.
Following Olaf's death in battle, she and their son Thorstein the Red left Ireland for the Hebrides, where Thorstein became a great warrior king. Upon his death, she sailed to Orkney, where she married off Thorstein's daughter, Groa, and then to Iceland, where she had relatives and gave extensive land grants to those in her party.
Similarly, Oistin's father Amlaíb is sometimes identified with Olaf the White, a Viking sea-king who also features in the sagas and is named as the father of Thorstein the Red. [16] The sagas are of dubious historical value, but the figures featured within may be based on real people. [ 17 ]
Just like in Alice in Wonderland, a white rabbit has been popping up all over the place. A sweet crocheted plush one is being toted around by a child one moment. The next, it appears again as the ...
The Tale of Thorstein Shiver has been used to express the "happy necessity of the conversion" attitude depicted towards Olaf and Christianity in the sagas, both as a good thing and none-optional. The story and other þættir have been used to portray the changing views of Olaf as an all-powerful ruler to, as Christianity becomes more ...