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Vito is a brand name for Leblanc USA, now part of Conn-Selmer USA. The Vito name was used for student through professional (Yanagisawa baritone saxophone) instruments. Leblanc USA was formed in 1946 by Vito Pascucci, and the French woodwind manufacturer, G. Leblanc Cie of
Cuban composer, conductor, flute and clarinet player. Born May 21, 1905 and died May 12, 1972 Cuba United States of America: 1905-05-21 1972-05-12 Jovellanos: New York City: Q30588320: Fletcher Allen: American jazz saxophonist, clarinetist, and composer (1905–1995) United States of America: 1905-07-25 1995-08-05 La Crosse: New York City ...
This article lists notable musicians who have played the clarinet This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Leblanc added the KHS company of Taiwan as a source for Vito saxophones in 1981. The KHS versions were sold as models 7133, 7136, 7140, and 7190. The Vito line of woodwinds was discontinued in 2004, although the equivalent models of saxophones continued to be made by Yamaha and KHS (Jupiter). The Vito line of brasswinds was discontinued in 2007.
Hanson Clarinet Company B♭, A Howarth of London B♭, A: A (joints & barrels only) Jupiter Band Instruments B♭ B♭ Leblanc (a division of The Selmer Company) B♭ E♭ B♭ EE♭ BB♭ Leitner & Kraus E♭, D: C, B♭, A: B♭, A: F B♭ Orsi Instrument Company: G, A♭ (on request) E♭ C, B♭, A, G
Vito Pascucci (October 22, 1922 – August 18, 2003) was an American businessman, the CEO and co-founder (with Leon Leblanc) of G. Leblanc Corp, an American musical instrument firm based in Kenosha, Wisconsin. The firm started out as the American branch of the French G. Leblanc company.
However, he also argues that the store had another, more musically important purpose. Throughout the work day (from 1pm to sundown) musicians would seek Burke at the Rabais to play with him. These sessions were informal and unattended, consisting of Burke's clarinet and whatever instrument the player(s) had brought.
Smith investigated and cataloged a wide range of extended techniques on the clarinet, including the use of two clarinets simultaneously by a single performer, inspired by images of the ancient aulos encountered during a trip to Greece, [3] numerous multiphonics, playing the instrument with a cork in the bell, and the "clar-flute," a technique ...