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Goldfinger (1964) Aston Martin DB5 (1964) MI6 There were a total of four Goldfinger DB5s. Two of these were used in filming and two were used only for promotional purposes. The first filming car, DP/2161/1, was added with gadgets. [2] This DB5 was the original prototype and was painted Dubonnet Red.
The first filming car, DP/2161/1, was fitted with gadgets. [19] This DB5 was the original prototype and was painted Dubonnet Red. Before it appeared in Goldfinger, it was used in episode 2.17, "The Noble Sportsman," of The Saint. This car, chassis number DP/216/1, was later stripped of its weaponry and gadgetry by Aston Martin and resold.
Goldfinger was the first Bond blockbuster, with a budget equal to that of the two preceding films combined. Principal photography took place from January to July 1964 in the United Kingdom, Switzerland and the United States. Goldfinger was heralded as the film in the franchise where James Bond "comes into focus". [3]
Rolls-Royce has created a one-of-a-kind car in honor of the 60th anniversary of the James Bond movie “Goldfinger,” with bespoke gadgets that would be the envy of Q.
The modern iteration of the Goldfinger car will be painted to match the Silver Birch color scheme of the timeless DB5 from the 1964 film. However, the presence of model-specific 21-inch wheels on ...
Also known as “homers”, used to track people. A miniaturised one is placed in the heel of Bond's shoe; another, larger one, is placed on car and can be tracked up to 150 miles. [16] Industrial laser Used by Goldfinger trying to kill Bond. [16] Powerful enough to put a laser dot on the moon, but at very close range able to cut through steel.
The 1960s were a memorable decade for many reasons, not the least of which are its cars. Here are some rides you undoubtedly remember The Most Influential Cars of the 1960s
The car manufacturer celebrated their fifty-year partnership with Bond films franchise, which started with the DB5 being used in the 1964 film Goldfinger. [5] [6] The design of the DB10 was led by Aston Martin's chief creative officer Marek Reichman, with the film's director Mendes working closely with the team. Original concept and sketch by ...