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Main Name (Old English)Name meaning Attestations Cyning "King" wuldres Cyning "King of Glory" The Dream of the Rood [1]: Dryhten [2] "Lord" ece Dryhten "eternal Lord" Cædmon's hymn [3]
It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf. The book ends with two versions of Tolkien's "The Lay of Beowulf". The former, subtitled "Beowulf and Grendel", is a poem or song [5] of seven eight-line stanzas about Beowulf's victory over Grendel. The latter is a poem of fifteen ...
Grendel is described as "Very terrible to look upon." Grendel is a character in the Anglo-Saxon epic poem Beowulf (700–1000 CE). He is one of the poem's three antagonists (along with his mother and the dragon), all aligned in opposition against the protagonist Beowulf. He is referred to as both an eoten and a þyrs, types of beings from wider ...
This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles. Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
Oral-formulaic composition is a theory that originated in the scholarly study of epic poetry and developed in the second quarter of the twentieth century. It seeks to explain two related issues: the process by which oral poets improvise poetry. the reasons for orally improvised poetry (or written poetry deriving from traditions of oral ...