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American gothic fiction is a subgenre of gothic fiction. Elements specific to American Gothic include: rationality versus the irrational , puritanism , guilt , the uncanny ( das unheimliche ), ab-humans , ghosts , and monsters .
MELUS publishes a quarterly academic journal, MELUS. The aim of the Society is "to expand the definition of American literature through the study and teaching of Latino American, Native American, African-American, Asian and Pacific American, and ethnically specific Euro-American literary works, their authors, and their cultural contexts". [1]
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
American poetry that emerged in the late 1950s, often brutally, exposes the self as part of an aesthetic of the beauty and power of human frailty [117] Robert Lowell, Sylvia Plath, Alicia Ostriker: Village Prose: A movement in Soviet literature beginning during the Khrushchev Thaw, which included works that cultivated nostalgia of rural life [118]
The Southern Renaissance (also known as Southern Renascence) [1] was the reinvigoration of American Southern literature in the 1920s and 1930s with the appearance of writers such as William Faulkner, Thomas Wolfe, Caroline Gordon, Margaret Mitchell, Katherine Anne Porter, Erskine Caldwell, Allen Tate, Tennessee Williams, Robert Penn Warren, and Zora Neale Hurston, among others.
Southern Gothic particularly focuses on the South's history of slavery, racism, fear of the outside world, violence, a "fixation with the grotesque, and a tension between realistic and supernatural elements". [4] Similar to the elements of the Gothic castle, Southern Gothic depicts the decay of the plantation in the post-Civil War South. [4]
Suburban Gothic is defined by Bernice M. Murphy as "a subgenre of the wider American Gothic tradition which dramatises anxieties arising from the mass urbanisation of the United States and usually features suburban settings, preoccupations and protagonists". [1]
The first Gothic novel is Horace Walpole's The Castle of Otranto (1764), but its most famous and popular practitioner was Ann Radcliffe, whose early Gothic novels in the 1790s maintain the fashion. [12] Eighteenth-century aesthetic theory, following Edmund Burke, held that the sublime and the beautiful were juxtaposed. The sublime was awful ...