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15th Century Female Flemish Dress: A Portfolio of Images, by Hope Greenberg; Women's Clothing in 15th Century Florence; Burgundian wedding c1470, from the Getty; Burgundian women's dress including Images of Burgundian hennins; Men's clothing in 15th century Florence; Glossary of some medieval clothing terms Archived 2016-12-28 at the Wayback ...
Portrait of the family of Sir Thomas More shows English fashions around 1528.. Fashion in the period 1500–1550 in Europe is marked by very thick, big and voluminous clothing worn in an abundance of layers (one reaction to the cooling temperatures of the Little Ice Age, especially in Northern Europe and the British Isles).
1860s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; 1850s and 1860s Fashion; 1860s Men's Fashions — c. 1860 Men's Fashion Photos with Annotations; Fashonik Updos for long hair Archived 2016-05-20 at the Wayback Machine; 1864 Wedding Dress — Metropolitan Museum of Art Costume Institute
Elizabeth Vernon (later Countess of Southampton) at her dressing table wears an embroidered linen jacket over her rose-pink corset, 1590s. During this period, women's underwear consisted of a washable linen chemise or smock. This was the only article of clothing that was worn by every woman, regardless of class.
A wedding dress or bridal gown is the dress worn by the bride during a wedding ceremony. The color, style and ceremonial importance of the gown can depend on the religion and culture of the wedding participants. Wedding dresses hold a significant place in fashion, symbolizing personal expression, and cultural traditions and societal values.
1840s Fashion Plates of men, women, and children's fashion from The Metropolitan Museum of Art Libraries; The Romantic Era: Fashions 1825–1845; 1840s Men's Fashions — c. 1840 Men's Fashion Photos (Daguerreotypes) with Annotations; Men's fashion plates of the 1840s at Victoriana.com
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Susanna Huygens wore a long, tight white satin bodice with paned sleeves lined in pink and a matching petticoat. Her hair is worn in a mass of tight curls, and she wears pearl eardrops and a pearl necklace, 1667–69. Portrait of Barbara Villiers, mistress of King Charles II, painted by John Michael Wright, c. 1670 in the romantic style.