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Cantonese instrumental tunes have been used in Cantonese opera, either as incidental instrumental music or as fixed tunes to which new texts were composed, since the 1930s. The use of instruments in Cantonese opera is influenced by both western and eastern cultures.
The youth began to gravitate towards Cantonese pop in the 70s. Around 1971, Sandra Lang (仙杜拉) was invited to sing the first Cantonese TV theme song, "The Yuanfen of a Wedding that Cries and Laughs" (啼笑姻緣). This song was the creation of the legendary songwriter Joseph Koo (顧嘉輝) and the songwriter Yip Siu-dak (葉紹德). The ...
In the past, Cantopop maintained the Cantonese Opera tradition of matching the musical notes with tones of the language. Relatively few Cantopop songs use truly colloquial Cantonese terms, and fewer songs contain lyrics. Songs written in this style are usually reserved for TV shows about ancient China. Since the 1980s, increasing numbers of ...
"Below the Lion Rock" (Chinese: 獅子山下) is a Cantopop song by Hong Kong singer Roman Tam. It was composed and arranged by Joseph Koo, with lyrics written by James Wong. It was written and used as the theme song of RTHK's TV show of the same name in 1979. In the 1970s, Cantonese pop songs were starting to gain traction.
Chinese opera music is mainly composed of singing (vocal singing and aside) and instrumental accompaniment. [30] Chinese opera accent: There are different types of drama in different regions, but they all have similarities. The four major accents in modern times are Kunshan accent (Kunshan), high accent , Pihuang accent, and Bangzi accent. [31]
Tang impressed the Cantonese opera industry by his stunning performance that resembled Ma Sze-Tsang, a famous Cantonese opera singer. [1] His teacher gave him the stagename Sun Ma Sze Tsang, meaning 'New Ma Sze-Tsang'. Sun Ma Sze Tsang became very famous for his singing technique. He later became pupils of Sit Kok-Sin, Kai Chiao-tien and other ...
The repertoire consisted of carnival marches, ballads, waltzes, Cantonese-inspired ballads, fados, polkas, etc. One of the most known songs from this period was the version in Patuá for the Brazilian carnival march "Mamãe eu Quero", which received the title "Mama Sa Filo". Also, the popular Portuguese song "Oh Careca tira a bóina ...
Fong and Yam Kim-fai performed Cantonese opera both on stage and in many films including Swallows Come Home (1958). In 1959, Fong retired from the entertainment industry. Fong's last film was Joy To the World, a 1963 Cantonese opera film directed by Lo Yung. Fong is credited with over 150 films. [2] [4] [1]