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Figure from Prestongrange House, the ceiling is dated 1581. Scottish renaissance painted ceilings are decorated ceilings in Scottish houses and castles built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in France, Spain and Scandinavia. [1]
A painted ceiling is a ceiling covered with an artistic mural or painting. They are usually decorated with fresco painting, mosaic tiles and other surface treatments. While hard to execute (at least in situ) a decorated ceiling has the advantage that it is largely protected from damage by fingers and dust.
Grand Neoclassical interior by Robert Adam, Syon House, London Details for Derby House in Grosvenor Square, an example of the Adam brothers' decorative designs. The Adam style (also called Adamesque or the Style of the Brothers Adam) is an 18th-century neoclassical style of interior design and architecture, as practised by Scottish architect William Adam and his sons, of whom Robert (1728 ...
The Renaissance in Scotland was a cultural, intellectual and artistic movement in Scotland, from the late fifteenth century to the beginning of the seventeenth century. It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late fourteenth century and reaching northern Europe as a Northern Renaissance in the fifteenth century.
The impact of the Renaissance on Scottish architecture has been seen as occurring in two distinct phases. First, from the early fifteenth century the selective use of Romanesque forms in church architecture, to be followed by a second phase of more directly influenced Renaissance palace building from the late fifteenth century. [ 43 ]
16th-century Scottish chair with gothic and renaissance elements, possibly owned by the historian William Fraser, V&A "Kinneil House and the Power of Women: Arran's wall paintings", Michael Pearce; Michael Pearce, 'Beds of Chapel form in sixteenth-century Scottish inventories: the worst sort of beds', Regional Furniture, vol. 27 (2013), pp. 75-91