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The principal methods of this are enamelled glass, essentially a technique for painting patterns or images, used for both glass vessels and on stained glass, and glass paint, typically in black, and silver stain, giving yellows to oranges on stained glass. All of these are fired in a kiln or furnace to fix them, and can be extremely durable ...
The most common method of adding the black linear painting necessary to define stained glass images is the use of what is variously called "glass paint", "vitreous paint", or "grisaille paint". This was applied as a mixture of powdered glass, iron or rust filings to give a black colour, clay, and oil, vinegar or water for a brushable texture ...
The paint is usually not fused to the flat glass by firing, but if it is, it is still called "stained glass". Glass painting or glass painter might refer to either technique, but more usually enamelled glass. It may also refer to the cinematic technique of matte painting, which is a type of painted representation of landscape. There is benefits ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
In traditional stained glass, silver stain is a technique to produce yellow to orange or brown shades (or green on a blue glass base), by adding a mixture containing silver compounds (notably silver nitrate), and firing lightly. It was introduced soon after 1800, and is the "stain" in the term "stained glass".
It has often been used as a supplementary technique in stained glass windows, to provide black linear detail, and colours for areas where great detail and a number of colours are required, such as the coats of arms of donors. Some windows were also painted in grisaille. The black material is usually called "glass paint" or "grisaille paint".