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The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor ).
Another way of playing the cajón is to use an ordinary bass drum pedal, thus turning the cajón into an indirect percussion instrument which can be played with the feet. This enables the player to beat it just like a pedal-bass drum, thus leaving the hands (and one other foot) free to play other instruments. On the other hand, it also ...
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
Darius Milhaud has been named one of the foremost composers of modern (mid-20th century) music for the tabor by Morris Goldenberg. His Suite Provancale calls for tabor played along with two other drums by a single player. In classical repertoire the tabor is usually played with two sticks, as many pieces call for speeds that are unwieldy for a ...
This is an accepted version of this page This is the latest accepted revision, reviewed on 12 February 2025. Type of musical instrument of the percussion family For other uses, see Drum (disambiguation). Drum of Company B, 40th New York Infantry Regiment, at the Battle of Gettysburg, 1863 Talking drum A drum kit A Đông Sơn drum from 3rd to 2nd century BC A pair of conga drums The drum is a ...
The original concept of this call was played on the snare drum and was known as "tap-too", with the same rule applying. Later on, the name was applied to more elaborate military performances, known as military tattoos. The etymology of the military tattoo is from Dutch "tap toe", unrelated to the Tahitian origin of an ink tattoo. [1]
As an inventor and drum builder he devised his own special drum kits bearing his name. These rare snare drums are considered highly collectible today. Among his inventions is a rare jazz instrument similar to the Bock-a-da-bock , a hand-held cymbal apparatus called the "Ludwig Gladstone Cymbal" when it was introduced by the Ludwig Drum Company ...
"Open, closed, open," also referred to as "open to close to open," or "slow, fast, slow," [1] consists of beginning a drum rudiment very slow and controlled, speeding up evenly until at the maximum speed for the drummer, then slowing back down after maintaining that speed.